There’s always been a darkly immersive edge to Marks sound.
The Florida producer links fragments of hip-hop to echoes of grime and jungle, a continually propulsive experiment with percussive possibility.
New project ‘Endgame’ is a 10 track beat tape, one that stares UK soundsystem culture directly in the eye.
Absorbing these elements into his own unique style, Marks contains shadows of skittish eski-beat amid his warped trap sounds.
Out now on Coyote Records, ‘Endgame’ captures the darkened paranoia of city life, a feeling many can resonate to right now.
Marks has constructed a full mix for Clash, and it’s heady, immersive fare, shifting from rolling jungle ruffage through swaggering Stateside trap and more.
It’s an ultra-murky ride, with the producer sketching together fragmentary aspects of club sounds into something highly internal.
Electronic introspective delivered with hefty use of muscle, this is a mix that you need to ride out to the finale.
Tune in now.
‘Endgame’ is out now, buy it HERE.
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